2007


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Director : Eric Lartigau
Screenplay : Kadour Merad, Olivier Barroux, Julien Rappeneau
Director of Photography: Regis Blondeau
Music: Erwann Kermorvan

Cast :
Kad Merad: Stéphane Cardoux (as Kad)
Olivier Barroux : Commandant Beaulieu (as Olivier)
Marina Foïs : Capitaine Soizic Le Guilvinec
Guillaume Canet : Alexandre Yonis
André Dussollier : Simon Werburger
Pierre-François Martin-Laval : Poushy
Frédéric Proust : Le professeur Rochette
Thierry Frémont : Le professeur de théâtre

Running time: 1h29min
Production: France, 2006
Rating: Not Rated (PG)

Un Ticket pour l’Espace |
A Ticket to Outer Space



Introduction by Florence Gatté, French film journalist
Q&A with Florence Gatté and Anne Kern, Professor of Cinema Studies


 

Sci-fi comedy - Teenager film
To gain public support for its outrageously expensive space research, the government launches an enormous publicity campaign in the form of a national lottery game with two very attractive scratch-and-win prizes: the right to board the next space shuttle! A handsome young man with a dark secret and a loveable loser who dreams of movie stardom are the two winners, and after the required tests are taken, they blast off into space. Things are fine until the crew is taken hostage by one of the passengers, a gruesome monster is discovered on board and everything spirals out of control.
This wonderfully silly, good-hearted comedy spoofs every space movie ever made, from Alien to Apollo 13 by way of 2001: A Space Odyssey, Star Trek and Armageddon. A Ticket to Space expresses genuine affection toward everyone it parodies while simultaneously celebrating and mocking the stereotypes of the Star Trek universe.

 

A monumentally silly Gallic answer to "Spaceballs," "Ticket to Outer Space" boasts deadpan comedy, decent special effects and a score from spoof heaven. Send-up of space tourism functions because it's played straight, and popular cast and delectably dopey premise should have launched this venture into comfortable local orbit . (…)
Proudly absurd situations flourish within an adventure framework that's timeworn in Hollywood but a refreshing rarity in France. Production design is pro, with the distinctive headquarters of the French Communist Party serving as the set for Mission Control.
Lisa Nesselson, Variety