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Chris Marker, director
While many biographic elements surrounding the director have remained deliberately obscure (including his name), Chris Marker was likely born Christian François Bouche-Villeneuve, in July 29, 1921 in Paris, France.
A cinematic essayist and audio-visual poet, Chris Marker was one of the most innovative filmmakers to emerge during the postwar era. Working primarily in the arena of nonfiction, Marker rejected conventional narrative techniques, instead staking out a deeply political terrain defined by the use of still images, atmospheric soundtracks, and literate commentary. Adopting a perspective akin to that of a stranger in a strange land, his films -- are haunting meditations on the paradox of memory and the manipulation of time. He investigates the philosophical implications of understanding the world through media and, by extension, explores the very definition of cinema itself.
One of his short film, La Jetée, only made of still images, was adapted by Terry Gilliam in 12 Monkeys, a science-fiction film starring Bruce Willis and Madeleine Stowe.
Chris Marker, director
1997 Level Five
1992 Le Tombeau d'Alexandre (The Last Bolshevik)
1983 Sans soleil (Sunless)
1977 Le Fond de l'air est rouge (Grin Without a Cat)
1974 La Solitude du chanteur de fond (The Loneliness of the Long Distance Singer)
1965 Le Mystère Koumiko (The Koumiko Mystery)
1962 La Jetée (The Pier)
1959 Les Astronautes (The Astronauts)
1957 Lettre de Sibérie (Letter from Siberia)
1952 Olympia 52
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