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Director :
Jean-Pierre and Luc Dardenne
Screenplay :
Jean-Pierre and Luc Dardenne
Director of Photography:
Alain Marcoen
Cast :
Jérémie Renier : Bruno
Déborah François : Sonia
Jérémie Segard : Steve
Fabrizio Rongione: Young thug
Olivier Gourmet: Plainclothes officer
Stéphane Bissot: Receiver
Mireille Bailly: Bruno’s mother
Running time: 1h 40 min Production: Belgium/France, 2005 Rating: R for brief language Distributor: Sony Pictures Classic ›› www.sonyclassic.com
Awards :
Cannes Film Festival, Palme d’Or (2005)
Joseph Plateau awards, Best Belgian Actor, Jérémie Renier, Best Belgian Actress Déborah François, Best Belgian Director Luc & Jean-Pierre Dardenne, Best Belgian Film, Best Belgian Screenplay Luc Dardenne (2005)
Toronto Film Critics Association Awards, Best Director Jean-Pierre Dardenne, Luc Dardenne (2006)
Dispossessed twenty-year old Bruno (Jérémie Renier) lives with his eighteen-year-old girlfriend Sonia (Déborah François) in Seraing, an eastern Belgian steel town. They live off Sonia’s unemployment benefits and the panhandling and petty theft committed by Bruno and his gang. Their lives change forever when Sonia gives birth to their child, Jimmy. She returns home after Jimmy’s birth to find that Bruno has sublet their apartment to total strangers. After Bruno’s initial and promising change of heart about becoming a father and changing his ways, Jimmy becomes little more to Bruno than a new source of wealth. Desperate for money and unable to face his parental responsibilities, Bruno sells Jimmy to a black market connection, who promises to find the child an adoptive home. Realizing the error in his actions Bruno sets out to try and undo his callous deed, leading him to a powerful personal transformation.
A gritty fairy tale about repentance that starts out small and gradually grows in power and intensity, as if by magic, until you're feeling as panicked and desperate as its protagonist. Rene Rodriguez, Miami Herald
The exceptional thing about L'Enfant is how intensely dramatic the film makes the consequences of Bruno's choice. Kenneth Turan, Los Angeles Times
The intimacy the directors achieve with their actors is nothing short of uncanny: Renier and François go about their business with such naturalness and determination, you forget there are performances going on. Jan Stuart, Newsday